![]() Under Baxter’s protection, Bella is eager to learn. ![]() I wanted that real volatility and childishness to reflect the characters.”įrom filmmaker Yorgos Lanthimos and producer Emma Stone comes the incredible tale and fantastical evolution of Bella Baxter (Stone), a young woman brought back to life by the brilliant and unorthodox scientist Dr. “For that reason I didn’t want the music to be too grand or mature or poised. “They're all in their own ways very immature and very naive, and it's very, very endearing,” he adds. The composer was also struck by how childlike all of the characters were – not just Bella, but everyone else, including Godwin, Max, Duncan. That was a big part of the textural aspect.” I really like instruments that breathe for themselves – which seems apt for the biomechanics of the film – so pipe organs, uilleann pipes (which are like Irish bagpipes), a lot of synthesized breath and voice stuff. “I wanted to have a lot of instruments that involved air and mechanics to match this kind of bizarre bionic thing going on,” recalls Fendrix of the process. Fendrix began his first-ever foray into film composition with only the film’s script and conversations with Lanthimos as a guide, drawing early inspirations for instrumentation and tone from the vivid surrealism of the film’s various production elements. Having never previously collaborated with a composer, Poor Things director Yorgos Lanthimos first approached Jerskin Fendrix after discovering the musician’s solo debut album, which the director found instinctively aligned with his worldbuilding aspirations for Poor Things. Utilizing a palette of woodwind instruments and synthesized, breathy vocal samples, the score captures not only the distinct world of Poor Things but also acts as a sonic companion to main character Bella’s journey, expanding to encompass new textures and sounds as the film progresses. The album features original score music written by Fendrix for director Yorgos Lanthimos’ new feature film starring and produced by Emma Stone. Waxwork Records in partnership with Milan Records is thrilled to release POOR THINGS Original Motion Picture Soundtrack by multi-instrumentalist, producer, and composer Jerskin Fendrix. *This item is a pre-order with an expected shipping date of March 2024* Heavyweight Gatefold Jackets with Matte Satin Coating.Deluxe 2xLP Featuring the Video Game Soundtrack by Stephen Barton & Gordy Haab.STAR WARS JEDI: SURVIVOR Original Video Game Soundtrack Features: This narratively driven, single player title picks up five years after the events of Star Wars Jedi: Fallen Order and follows Cal’s increasingly desperate fight as the galaxy descends further into darkness. Star Wars Jedi: Survivor continues the story of Cal Kestis. The album is produced by Nick Laviers, Stephen Barton, Gordy Haab, Alan Meyerson and Steve Schnur. Star Wars Jedi: Survivor received a GRAMMY® nomination in the Best Score Soundtrack for Video Games and Other Interactive Media category. This marks the first GRAMMY® nomination for composers Stephen Barton and Gordy Haab. To enhance the collector's experience, the vinyl will be accompanied by an 11” x 11” four-page booklet, providing a glimpse into the creative process behind the mesmerizing score. The soundtrack, comprised of 27 tracks, is pressed on 180-gram Lightsaber colored vinyl and presented in heavyweight gatefold jackets with a matte satin coating. Composed by Stephen Barton and Gordy Haab, this 2xLP vinyl edition is set for release in February, 2024, offering fans an immersive musical experience from the acclaimed video game. ![]() Waxwork Records in collaboration with Walt Disney Records announce the pre-order for the highly anticipated Star Wars Jedi: Survivor Original Video Game Soundtrack vinyl album.
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